Synopsis
IN 2009, a film biography was announced about the Swiss-born American graphic designer and filmmaker Herbert Matter (1907-1984). The film, made by Reto Caduff and titled The Visual Language of Herbert Matter, is still being screened in theatres, so it has not yet been released as a dvd. But the poster advertising it is on the internet. It is an especially stunning poster, designed by a Portugese designer-illustrator named Cristiana Courcerio (see poster below). It was her poster that inspired me to come up with this two-part problem. 
http://en.wikipedia.org/wiki/Herbert_Matterhttp://www.herbertmatter.net/http://www.flickr.com/photos/7299883@N02/shapeimage_3_link_0shapeimage_3_link_1shapeimage_3_link_2
 
 
11 in
17 in 600:3030 Section 2
graphic design two | problem 1
 
This problem will be critiqued in class on Wednesday, September 14. Revisions are due one week later.
Click here 
for more examples of well-designed posters
Above Commemorative poster about American typographer Frederic Goudy.
or
The first part is to design the poster for a (supposed) documentary film about the life of a graphic designer (as Courcerio did for Matter). For our critique, this will be printed on a tabloid sheet, 11 x 17, either horizontal or vertical, so it will have to be no less than 300 dpi at that print size. In addition the title and various images, the poster should also include some of the text components (which you may have to make up) that normally appear on a film poster, such as the filmmaker’s name (“a documentary film by…”), production studio, and so on.
 
The second part is to combine text and images in designing a stylistically correlated chronology (or timeline) of the person’s life. To some extent, this should be consistent visually with the style of the poster. In this part, the final result will be larger than the poster. We will design it to print on two or more 11 x 17 sheets, which might simply hang together as a series. Or, we could design them to be trimmed and then taped together as a single larger sheet.
 
Our lab printers do not print to the edge of the page, so you will have to leave a border of at least one-half inch on both the poster and the chronology sheets (although this might later be trimmed to simulate a edge that bleeds).
 
In the space below are examples of chronologies designed by previous students, dealing with a wide range of subjects.
For beautifully designed chronologies see History Shots. There are also other examples here.
Click here 
to go to a timeline of Modern Design